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2004 zombie comedy film directed past Edgar Wright

Shaun of the Dead
Shaun-of-the-dead.jpg

Theatrical release poster
Directed past Edgar Wright
Written by
  • Simon Pegg
  • Edgar Wright
Produced past Nira Park
Starring
  • Simon Pegg
  • Kate Ashfield
  • Lucy Davis
  • Nick Frost
  • Dylan Moran
  • Bill Nighy
  • Penelope Wilton
Cinematography David M. Dunlap
Edited past Chris Dickens
Music by
  • Pete Woodhead
  • Daniel Mudford

Production
companies
  • StudioCanal
  • WT² Productions
  • Big Talk Productions[1] [2]
Distributed by
  • Universal Pictures (International; through United International Pictures[ane])
  • Mars Distribution (France)
  • Rogue Pictures (The states)

Release dates
  • 29 March 2004 (2004-03-29) (London)
  • 9 April 2004 (2004-04-09) (Great britain)
  • 24 September 2004 (2004-09-24) (United States)

Running time

 99 minutes[3]
Countries
  • United kingdom
  • France
  • The states[four] [one]
Language English
Upkeep $half-dozen.1 one thousand thousand[v]
Box office $xxx meg[half-dozen]

Shaun of the Expressionless is a 2004 zombie comedy film directed by Edgar Wright. The picture show was written by Wright and Simon Pegg, who stars in it as Shaun. Along with friend Ed, played by Nick Frost, Shaun is defenseless unaware by the zombie apocalypse; they attempt to take refuge in a local pub with their loved ones. The film co-stars Kate Ashfield, Lucy Davis, Dylan Moran, Pecker Nighy, and Penelope Wilton. It is the first installment in the Three Flavours Cornetto trilogy, followed past Hot Fuzz (2007) and The Earth'south End (2013).

The picture developed from ideas Pegg and Wright used for their television series Spaced, peculiarly an episode where Pegg's slacker character hallucinates a zombie invasion. The title and plot also refer to the Expressionless films directed past George A. Romero. Main photography took place across London and at Ealing Studios between May and June 2003.

It premiered in London on 29 March 2004 and was theatrically released in the United Kingdom on ix April 2004 and in the United States on 24 September of that same year. It was met with universal acclaim and commercial success, grossing $30 million worldwide against a budget of $6.1 1000000 and receiving two nominations at the British Academy Pic Awards. Information technology was ranked tertiary on the Channel 4 list of the l Greatest Comedy Films and quickly acquired a cult post-obit. In film studies, the motion-picture show is seen as a product of mail-9/xi anxiety, as well as a model for transnational comedy. The spread of zombiism in the motion-picture show has been used as a modelling example for disease control.

Plot [edit]

In Crouch Terminate, London, electronics salesman Shaun has no direction in his life. He is disrespected by his colleagues, especially Noel, does not get forth with his stepfather, Philip, and is dumped by his girlfriend, Liz. Heartbroken, Shaun gets drunk with Ed, his slacker best friend, at their favourite pub, the Winchester. At habitation, Shaun and Ed'south flatmate, Pete, complains of a seize with teeth wound from a mugger and berates Shaun into getting his life together.

Past morning time, a zombie apocalypse has overwhelmed London. Shaun and Ed are slow to notice until they come across two zombies in their garden, whom they trounce to decease with a shovel and cricket bat. They devise a plan to rescue Liz and Barbara, Shaun's mother, and then wait out the crisis in the Winchester. They escape in Pete'southward car and pick upward Philip, who's already been bitten, and Barbara. They then utilise Philip's car to selection upwardly Liz and her flatmates, David and Dianne. Philip reconciles with Shaun before the former becomes a zombie.

The group abandon the car and sneak through their London neighbourhood, running into friends and evading zombies by imitating them. They take refuge inside the Winchester, where Shaun discovers that the Winchester rifle above the bar is functional. Barbara reveals she was bitten along the way, and dies after giving Liz and Shaun's human relationship her blessing. David attempts to shoot Barbara, but Shaun stops him, causing the group to argue: Shaun accuses David of hating him and being in love with Liz, which Dianne admits. Shaun, distraught, is forced to shoot Barbara when she reanimates.

Zombies break into the pub, devouring David, and Dianne rushes into the horde in an attempt to avenge him. The zombified Pete appears and bites Ed, and Shaun shoots and kills Pete. Shaun, Liz, and Ed take embrace behind the bar, which Shaun sets afire earlier the trio accept refuge in the cellar. Realising they only have two bullets left, Shaun and Liz contemplate suicide while Ed elects to be devoured by the zombies. Shaun discovers a keg elevator that opens out onto the street, and Ed volunteers to stay with the burglarize equally the zombies interruption in. The arriving British Army guns down the horde, and accept Shaun and Liz to safe.

6 months later, civilisation has returned to normal, and surviving zombies are used as inexpensive labour and entertainment. Liz has moved in with Shaun, and Shaun keeps the zombified Ed tethered in his shed, where they play video games together.

Cast [edit]

  • Simon Pegg every bit Shaun
  • Nick Frost equally Ed
  • Kate Ashfield as Liz
  • Lucy Davis every bit Dianne
  • Dylan Moran as David
  • Penelope Wilton as Barbara
  • Bill Nighy every bit Philip
  • Jessica Stevenson every bit Yvonne
  • Peter Serafinowicz as Pete
  • Rafe Spall equally Noel
  • Martin Freeman equally Declan
  • Reece Shearsmith as Mark
  • Tamsin Greig as Maggie
  • Julia Deakin as Yvonne'southward mum
  • Matt Lucas every bit Cousin Tom

Production [edit]

Conception and writing [edit]

Screenwriters Edgar Wright (left) and Simon Pegg in 2013.

One evening, I was round at Simon [Pegg] and his pal Nick Frost'south apartment for drinks when I said nosotros should make our ain zombie movie, a horror comedy. Information technology would exist from the indicate of view of two flake-players, ii idiots who were the last to know what was going on, afterward waking up hungover on a Sun morning.
– Edgar Wright, 2020[7]

I could write whatever I would want to practice or see. I think it would be great if there were more thespian/writer and [writer]/managing director teams because I think the last slice would have a stronger identity [...] It would be difficult to say which I prefer, writing or acting. I judge interim is more fun, just it's certainly a luxury to be able to write for yourself.
– Simon Pegg, 2004[8]

The film was developed from an episode of Simon Pegg and Edgar Wright's sitcom Spaced. The episode, "Art", which was written by Pegg (along with his writing partner and co-star Jessica Stevenson) and directed by Wright, features the graphic symbol of Tim (Pegg), under the influence of amphetamine and playing the video game Resident Evil 2, hallucinating that he is fighting off a zombie invasion.[ix] Knowing they had a common appreciation for George A. Romero's Dead trilogy, Pegg and Wright decided to write their own zombie movie.[7] The pair pitched the film to Film4, who took information technology on until their production budget got cut back. Wright was still invested in production and refused to take television directing jobs until Shaun of the Expressionless got made, as he would accept been pushing it back, which left him in some debt for a while.[9] Other companies passed on it, according to Wright, "considering they weren't sure what the tone was and said information technology wasn't all that scary and not that funny. They didn't become it".[8] After eighteen months, Working Title Films picked it up, which Wright felt was somewhat ironic equally the motion-picture show mocks the archetype British rom-coms that Working Championship ordinarily makes.[ten] The pic had been conceived of in late 1999, and was announced at the Cannes Film Festival in 2002.[11] [12]

Wright has said both that he suggested the film when in a cab with Pegg afterwards the excitement of filming the zombie scene in Spaced,[nine] and while watching a horror film with both Pegg and Nick Frost.[7] He began developing it in earnest later on playing Resident Evil belatedly one night himself, and going out in the early hours of the morning time wondering what a British person'southward reaction to the zombie apocalypse would exist. He considered the lack of assault weapons typical of American zombie movies, and his experience of the dazed early-forenoon walk to the store turned into a scene in the motion-picture show where Shaun does the same thing.[7] Another influence from Wright's life came from how he missed the 2001 foot-and-mouth epidemic by simply not having paid attention to the news for a fortnight, turning his idiot box on one 24-hour interval to see cattle being burnt, leaving him dislocated. Because of this, he said "it's plausible that the globe could exist ending and these ii guys could be the last to know" every bit they too skip over the news on television set in the film.[13] The gag about Shaun and Ed spending all their time at the Winchester too comes from the actors' lives, equally Pegg and Frost "always used to get to the aforementioned bar all the time", according to Wright, who had been trying to convince them non to.[13]

The screenplay was written by Wright and Pegg in viii weeks.[13] They were inspired by films including Night of the Living Dead (1968) and Dawn of the Dead (1978), equally well as Raising Arizona (1987), Dorsum to the Future (1985) and The Birds (1963).[xiv] [15] [xvi] The actors met three weeks before filming began for read-throughs, where they also made changes to the script.[16] According to Pegg, the script has a ready structure, with sure lines and actions being repeated throughout the film, making improvisation harder. Only two scenes were improvised: when Ed begins to draw the people at the pub and when Shaun offers their associates some peanuts.[17]

In terms of writing, Pegg said that information technology played well into being an actor in the picture show because he "could write to [his] ain strengths" and create his ain wish fulfilment.[viii]

Casting [edit]

The picture show's cast features a number of British comedians, comic actors, and sitcom stars, most prominently from Spaced, Black Books and The Role, and co-stars other actors from these same shows.[9] Bandage members from them include Pegg, Frost, Stevenson and Peter Serafinowicz.[xviii] Frost met Pegg when he was working as a waiter, and was brought onto Spaced despite a lack of acting feel;[19] Frost explained that Shaun and Ed have a dynamic like to that of Simon and himself in real life, as they had been living together for years.[20]

The production had originally approached Helen Mirren to play the function of Shaun's mother Barbara, which she turned downward with a note that she would rather play other, funnier, characters.[7] The role of Barbara went to Penelope Wilton. She was asked to accept the role because of her work in the 1984 sitcom E'er Decreasing Circles.[21] Shaun'south father is played by Bill Nighy, who accepted the role subsequently Wright sent him an early script to read.[22]

Cameos and extras [edit]

Secondary roles and cameos include Dylan Moran, Martin Freeman, Tamsin Greig, Julia Deakin and Reece Shearsmith. The voices of Marker Gatiss and Julia Davis tin exist heard as radio news presenters; Trisha Goddard also makes a cameo appearance, hosting two fictionalised episodes of her real-life talk show Trisha. Many other comics and comic actors appear in cameos as zombies, including Rob Brydon, Paul Putner, Pamela Kempthorne, Joe Cornish, Antonia Campbell-Hughes, Mark Donovan and Michael Smiley.[23] Coldplay members Chris Martin and Jonny Buckland also have cameo roles in the film;[24] [25] Martin is a close friend of Pegg, who is the godfather of Martin'due south daughter,[26] and also contributed to the soundtrack by guest singing the embrace of Buzzcocks' "Everybody'southward Happy Nowadays" with Ash.[24] [25] He does not appear as a zombie, but every bit himself in a charity drive.[27]

Zombie extras were recruited from Spaced fan communities. Wright said in 2020 that "[the] zombies spent a week cooped upward on gear up. They had to stand outside The Winchester, the pub where our heroes accept refuge, banging on the windows and not doing much else really. When we somewhen involved them properly, they had this electric energy: a pure, crazed hysteria".[vii] Originally, in that location were 40 stunt performers hired to be the zombies, simply the product realised that they would demand a lot more than to fill the set pieces.[28] So many fans responded to the online call that auditions to select zombies were ready.[21] There were 150 zombie extras until local children saw the zombie make-upward and wanted to be involved, leading to some other 50 child zombies being added.[eight]

Filming [edit]

The Duke of Albany pub, photographed when derelict and partially demolished in 2008, was used for exterior shots of the Winchester.

The film was shot over 9 weeks between May and July 2003.[29] [30] Wright uses in-camera transitions, typical to his style, to enable powerful visual storytelling.[31] Pegg too commented on the use of a magical realism fashion, which he says is part of Wright'due south direction.[10]

The production was filmed in London, on location and at Ealing Studios, and involved production companies Working Championship and StudioCanal. Many exterior shots were filmed in and around the North London areas of Hunker Terminate, Highgate, Finsbury Park and E Finchley.[32] [33] The electrical appliance shop that Shaun works at is a real shop located in North Finchley.[34] The scenes filmed in and around the Winchester Tavern pub were shot at the Knuckles of Albany pub in New Cross, South London. A three-story Victorian pub, information technology was turned into flats in 2008.[35]

Music [edit]

The film's score by Pete Woodhead and Daniel Mudford is a pastiche of Italian zombie film soundtracks by artists similar Goblin and Fabio Frizzi. It also uses many musical cues from the original Dawn of the Dead that were originally taken by George A. Romero from the De Wolfe production music library.[36] A friend of the assistant editor on the film had been compiling music library tracks from zombie films, making finding some music for the film much easier.[10] Earlier product began on the moving-picture show, Wright and Pegg had created a mixtape of songs they wanted to use.[13] The Goblin music, though, was used as a temp rail past Wright in editing; he liked the experience of it so much they decided to get the clearance to use it.[10]

Bobby Olivier of Billboard attributes the initial rebirth of Queen's "Don't End Me At present" to its appearance in the pic, which "introduced it to a new generation of listeners", saying: "Mayhap the nigh famous scene from Shaun of the Dead features "Don't End Me At present" which blares from a pub jukebox while stars Simon Pegg, Nick Frost and Kate Ashfield bash a zombie with puddle cues to the song's hurtling shell".[37] The moment had been Wright's thought, as he loves Queen and "had the thought of playing Don't Stop Me At present – one of the most positive, exciting, happy tunes ever – over a scene of extreme violence".[vii] Pegg explained that the fight in the pub was choreographed to the vocal fifty-fifty before it had been cleared to be used in the film, so they wrote to Brian May and begged to apply it.[7]

The other choreographed sequence, near the start of the pic, used dissimilar music to that which it had been set to. The original was a Cornelius vocal, and had been the rails written in for the scene from the screenplay. Wright then heard the song used in the flick, by I Monster, when editing, and felt that it worked better. The tempo of both songs is the same, so the new song fit the original choreography.[10]

Release [edit]

Marketing [edit]

The film was distributed by United International Pictures (UIP) in the United Kingdom (U.k.) and Universal Pictures in the United States (US).[38] UIP created a heavy targeted marketing strategy, including hiring actors to play zombies and dropping them around London to create disruption shortly before the picture's release. This office of the entrada was run by ZenithOptimedia; their caput said that "It has to exist the most powerful way to communicate what Shaun of the Dead is all about".[39]

Across traditional print advertising, posters were also placed in the London Undercover. Every bit the poster shows Shaun crammed tightly against windows surrounded by zombies, the visitor chose to buy up poster spaces that "would requite the impression to anyone walking through the tunnels between platforms that the zombie carriages were on the tracks"; this is a tactic that UIP had non done before, but the creative angle of the posters' positioning naturally lent itself to such a motion.[39] A similar tactic was used with digital posters for the film at an international football friction match between England and Sweden; less-restrictive advertizing laws in Sweden, where the game was held, meant that UIP had "hoardings incorporating flailing zombie-similar arms", which would not have been permitted in England.[39]

Box office [edit]

In the UK, Shaun of the Dead took £1.6 one thousand thousand at 367 cinemas on its opening weekend (9–11 Apr 2004)[39] and netted £6.four million by mid-May.[6] It was 2d at the box office, following 50 First Dates with £i.65 meg.[39] In its opening weekend in the U.s.a., Shaun of the Dead earned United states$3.three one thousand thousand, taking seventh identify at the box office despite a limited release to 607 theatres.[vi] Equally of June 2020, the moving picture has earned US$thirty,076,102 worldwide in box office receipts since its release.[6] The picture was released just two weeks after Zack Snyder's 2004 remake Dawn of the Dead. Both are internationally distributed by Universal Pictures, with the company only taking on Shaun of the Dead after setting the condition it be released later the remake.[38]

Home media [edit]

The movie was released on VHS and DVD shortly after its theatrical run in the US, with a VHS and DVD release on 6 September 2004 in the United kingdom of great britain and northern ireland and around Dec 2004 in the Usa, in widescreen-but for both formats. Features included several audio commentaries, EPK featurettes about the motion-picture show'due south production, pre-production video diaries and concept videos, photograph galleries, bloopers, and more.[twoscore] [41] [42] The moving-picture show also saw release on the Hard disk drive DVD format in 2007,[43] with a Blu-ray Disc release post-obit in 2009.[44]

The Blu-ray release had loftier-definition visuals and a 5.1 surround sound audio mix. Special features include four audio commentaries, the DVD features, and U-Command features giving admission to "storyboards, missing bits, and of course the Zomb-O-Meter trivia rail".[45]

Comic adaptations and other media [edit]

Pegg and Wright scripted a one-off necktie-in comic strip for the British comic magazine 2000AD titled "There's Something About Mary". Prepare the day earlier the zombie outbreak, the strip follows and expands on the character of Mary, who appears briefly in the introductory credits and is the first zombie whom Shaun and Ed are aware of; the strip details how she became a zombie. The strip was made available on the DVD release of Shaun, along with ii other strips that wrapped upward "plot holes" in the film, like how Dianne escaped and survived the Winchester incident, and Ed's fate after taking refuge in the pub's basement.[46] The comics, which feature Pegg and Wright's voices on the DVD and are in black and white, were drawn by Oscar Wright, a graphic artist and Edgar Wright's brother.[x] In 2005, IDW Publishing released a 4-issue accommodation written by Chris Ryall (with input from Edgar Wright & Simon Pegg) and drawn past Zack Howard. The comic likewise contains scenes that were left out of the movie.[47]

In 2006, the National Entertainment Collectibles Association announced that it would exist producing action figures based on the moving picture.[48] [49] Upper Deck Entertainment released a bill of fare for the popular World of Warcraft TCG in 2007, an ally named "Shawn of the Dead", with the ability of bringing back allies from the enemy graveyard.[l] Pegg and Frost reprised their roles as Shaun and Ed for a public service announcement video, The Program, released on 19 March 2020 on YouTube. Shaun and Ed share advice about the ongoing COVID-xix pandemic, with Shaun urging Ed to follow National Wellness Service guidelines, stay habitation, and avoid the pub.[51]

Cultural references [edit]

The film contains many references to Romero's films Night of the Living Dead, Dawn of the Dead, and Mean solar day of the Expressionless,[52] with Dawn in item being referenced.[53] A hand-in-oral fissure theoretical sequel called From Dusk Till Shaun was discussed by Wright and Pegg equally "pub talk", referencing From Dusk till Dawn,[54] as was a parallel sequel starring Stevenson called Yvonne of the Dead.[55] [ verification needed ] A poster was fabricated for From Dusk Till Shaun to feature in the alternate universe Times Square in the 2018 animated Sony Pictures Marvel Comics movie Spider-Human: Into the Spider-Verse; a co-managing director of this film, Rodney Rothman, had reached out to Wright to inquire for a film proffer that he could take theoretically made in the alternate universe.[54]

Other zombie motion-picture show references include one to 28 Days Afterward, fabricated during the ending scene when Shaun and Liz are watching television and a news report mentions the idea of "raging infected monkeys" – in 28 Days Later the rage virus was started by monkeys in a laboratory[56] – and 1 to Italian gore director Lucio Fulci with the eatery chosen "Fulci'south".[9] The film was the first of the Three Flavours Cornetto trilogy, in which each film makes a reference to a different flavour of Cornetto water ice cream. Shaun of the Expressionless features ruby-red strawberry-flavoured ice cream, signifying claret.[57] The Cornetto was included as Ed's hangover cure because it is Wright's bodily hangover cure.[9]

Wright and Pegg had contacted various artists to enquire for use of their records in the famed scene where Shaun and Ed throw LPs at a zombie to defend themselves. While some artists never got dorsum, Wright said that "Sade was the coolest. She said we could trash Diamond Life without hesitation".[7] Wright would afterward include a Sade song in the soundtrack of his 2010 motion picture Scott Pilgrim vs. the World – the Beachwood Sparks version of "By Your Side". Information technology was on an original list of songs for the Scott Pilgrim graphic novel, and Wright joked that he owed Sade "some publishing money" after destroying the album in Shaun of the Expressionless.[58] Of the moment, Pegg said that they "love using Sade every bit a weapon", noting that she was one of simply two artists who gave permission to show comprehend art in the scene (the other being New Order).[13]

Besides the short The Plan made during the 2020 COVID-19 pandemic, the film saw renewed interest in this time as an Internet meme. It began trending on Twitter because the film's affiche, showing zombies pressed upwardly confronting door windows, bears a hit resemblance to a photojournalist's image of protesters in Ohio at the Statehouse enervating lockdown exist lifted. The situation was as well described as "reminiscent of some of the scenes towards the cease of the movie".[59] [60] The photojournalist was Joshua A. Bickel, who said that he "idea the windows and door were an interesting compositional element"; Dawn of the Expressionless prosthetist Tom Savini said it reminds him of Shaun of the Expressionless considering both use the pressed-up-against-glass horror trope.[61]

The motion-picture show also has tribute with a zombie hand sculpture at the Hakone Museum in Nihon, where it is a cult hit;[62] it did not see a theatrical release in the state until March 2019.[63]

Films that have been based on or inspired past Shaun of the Expressionless include Juan of the Dead, Hsien of the Dead, and Shed of the Dead.

Analysis [edit]

Pic scholar Kyle Bishop, Literature scholar and leading zombie picture researcher Peter Dendle, and Sci-Fi scholar Gerry Canavan all comment on Shaun of the Expressionless as part of a large torso of zombie narratives produced in the wake of 9/11.[64] [65] [66] Bishop explained that the "renaissance of the subgenre reveals a connection between zombie cinema and post-nine/eleven cultural consciousness", because "horror films office every bit barometers of lodge's anxieties, and zombie movies represent the inescapable realities of unnatural death while presenting a grim view of the modernistic apocalypse".[64] He finds that the subgenre of zombie films "tin daze and terrify a population that has go numb to other horror subgenres",[64] with Dendle similarly assessing that "the possibility of broad-calibration destruction and destruction which nine/eleven brought once once again into the communal consciousness found a set up narrative expression in the zombie apocalypses which over thirty years had honed images of desperation subsistence and amoral survivalism to a fine edge".[65]

Dirk Eitzen as well examined the picture show in depth as an example of how one-act is made in film, particularly how interpretive humour and satire are used. For example, when Shaun slips and falls in the shop in the opening sequence, per Eitzen'due south explanation, it is funny on several levels. Falling is funny; not noticing the zombie apocalypse is funny; the social satire that contrasts Shaun'south mindless behaviour with the mindless zombies is funny; and the self-reference to where Shaun had slipped on a curb earlier in the sequence is funny, too.[67] Media scholar Lindsey Decker wrote on how the movie created comedy through transnational generic hybridisation, taking cues from American zombie movies as well equally "British comedic practices from WWII-era Ealing comedies, television 2-man comedy teams and the Monty Python sketch troupe".[68] In this use of British comedy within an American genre, it also serves as commentary on British-American relations in the film manufacture.[68]

Multiple chapters of the 2016 book The Laughing Dead: The Horror-Comedy Film from Bride of Frankenstein to Zombieland are devoted to analysing aspects of Shaun of the Dead.[69] Steven Webley'south chapter looks at the utilise of the Uncanny in the flick,[70] while Shelley S. Rees' chapter discusses the motion picture'southward Marxist implications and the transgressive nature of zombies and zombie films in terms of relationships and sexuality.[71] Comparatively, Kathryn A. Cady and Thomas Oates write in their commodity 'Family Splatters: Rescuing Heteronormativity from the Zombie Apocalypse' that the moving picture "imagines a unmarried-generation heteronormative family unit as the outcome of zombie invasion".[72]

Beyond film studies, a Bayesian mathematical model using Markov chain Monte Carlo methods was performed on examples of epidemic progression by Caitlyn Witkowski and Brian Blais in 2013. As an example of how such modelling could be applied to infectious disease command, Witkowski and Blais took examples of zombie apocalypses in Romero'due south original Expressionless trilogy and Shaun of the Dead to demonstrate disease dynamics.[73]

Reception [edit]

Critical response [edit]

Bill Nighy on a red carpet

Bill Nighy was praised for his role as Shaun'south stepfather.[74] [75]

Shaun of the Expressionless received critical acclaim. On Rotten Tomatoes, the moving-picture show has a score of 92%, based on 213 reviews, with an average rating of vii.80/10. The site'southward critical consensus reads, "Shaun of the Dead cleverly balances scares and witty satire, making for a bloody proficient zombie movie with loads of wit".[76] On Metacritic, the film has a score of 76 out of 100, based on 34 critics, indicating "mostly favorable reviews".[77] Nev Pierce, reviewing the film for the BBC, called it a "side-splitting, head-dandy, gloriously gory horror comedy" that will "amuse casual viewers and delight genre fans".[78] Peter Bradshaw gave information technology four stars out of 5, saying it "boasts a script crammed with real gags" and is "pacily directed [and] nicely acted".[79] Wendy Ide for Screen Daily wrote that the film "proves that the motion from modest to large screen comedy does not always end in creative failure", saying that the film stays true to Pegg and Wright's style but also makes utilize of comedy more than attainable to the British masses than that of Spaced.[80]

Pierce felt that the choice of weapons was agreeable, and suggested that the picture show's existent strength was the characterisation of the unhappy leads, just likewise wrote that the climax at the pub was lacking in horror and comedy compared to the rest of the film.[78] Like Pierce, Ide felt that in that location is "a convincing emotional depth" despite the comedy; she similarly noted that the 2d one-half was slower, but chalked this upwards to being darker in tone at the climax.[fourscore] She praised the special effects make-up and prosthetics created by Stuart Conran.[fourscore] Keith Phipps of The A.Five. Club enjoyed the record-throwing scene, citing information technology as an example of where the film "doesn't heed putting in extra work for its laughs", every bit information technology comes off funnier with Shaun and Ed debating which records they sacrifice rather than throwing indiscriminately.[81] He plant Wright'southward technical skills to exist impressive, adding that Wright left the spotlight to the performances rather than the camerawork, but found the finale to be disappointingly played straight.[81]

Both the American critics Roger Ebert and Robert K. Elderberry said that the motion picture brought something more to the zombie genre. Ebert wrote that he was "by now more or less wearied by the cinematic possibilities of killing [zombies]", and then he was glad for what Shaun of the Dead brought to the table exterior of this, writing that "instead of focusing on the Undead and trying to become the laughs there, it treats the living characters as sitcom regulars whose conflicts and arguments keep getting interrupted past abrasive flesh-eaters".[74] Elder agreed that past its release the zombie movie had "ambled its course", but thought that "Shaun of the Dead stands on its own, a romantic comedy crossed with a quarter-life crisis drama–just played against a groundwork horde of brain-hungry, decomposing undead".[75] B. Alan Orange of MovieWeb wrote that "The British Zombie experience "is" unlike enough to change the outlook of a whole genre".[ten]

Of the cast, Ebert particularly praised Nighy, writing that "at that place's something endearing virtually his response ["I ran it under the tap"] when he is bitten by a zombie".[74] Elderberry described Nighy equally the film's scene stealer.[75]

Peter Travers also gave the film 3 out of four stars, and praised Pegg: "[he] makes you root for Shaun, even when he'due south slacking with Ed [...], neglecting Liz and battling with his mum".[82] Phipps' take on Shaun was that "Pegg gives his hero a defeated wait that slowly melts abroad as the crisis at final gives him a chance to become a man of action".[81]

Accolades [edit]

Year Award Category Recipients Result Notes
2004 British Independent Motion picture Awards All-time British Independent Film Shaun of the Expressionless Nominated [83]
Best Screenplay Edgar Wright and Simon Pegg Won
Most Promising Newcomer Nick Frost Nominated
2005 Online Film Critics Society Best Original Screenplay Edgar Wright and Simon Pegg Nominated [84]
Evening Standard British Film Awards Peter Sellers Award for Comedy Simon Pegg Won [85]
London Film Critics' Circle Awards British Motion picture of the Year Shaun of the Dead Nominated [84]
Screenwriter(s) of the Year Edgar Wright and Simon Pegg Nominated
British Academy Film Awards Outstanding British Film Shaun of the Dead Nominated [84]
Outstanding Debut past a British Writer, Managing director or Producer Nira Park Nominated As producer[84]
Empire Awards Best British Motion-picture show Shaun of the Expressionless Won [84]
Best British Director Edgar Wright Nominated
Best British Player Simon Pegg Nominated
Best British Actress Kate Ashfield Nominated
Scene of the Yr The records and zombies scene Nominated
Saturn Awards All-time Horror Movie Shaun of the Dead Won [84]
Bram Stoker Awards Best Screenplay Edgar Wright and Simon Pegg Won Tied with Eternal Sunshine of the Spotless Mind [84]

Best-of lists and appraisal [edit]

In 2004, Total Motion-picture show mag named Shaun of the Dead the 49th greatest British film of all time. In 2006, information technology was rated equally the third greatest one-act film of all fourth dimension in the Channel 4 list of the 50 Greatest One-act Films, with only Monty Python's Life of Brian and Airplane! ranked higher.[86] In 2007, Stylus Magazine named it the ninth-greatest zombie film ever made.[87] In 2007, Time named information technology ane of the 25 best horror films, calling the film "chilling, silly and smart-smart-smart" and complimenting its director: "Wright, who'd exist a manager to watch in any genre, plays world-class games with the camera and the viewer'southward expectations of what'southward supposed to happen in a scare film".[88] Encarmine Disgusting ranked the film 2nd in their list of the 'Superlative 20 Horror Films of the Decade', with the article saying "Shaun of the Dead isn't but the all-time horror-comedy of the decade – it's quite possibly the best horror-comedy e'er made".[89] In Dec 2009, Now deemed Shaun of the Dead the best film of the decade.[ninety] In March 2011, the movie was voted by BBC Radio 1 and BBC Radio 1Xtra listeners equally their second favourite film of all time. Frank Darabont's The Shawshank Redemption came in first place.[91] In 2008, Empire magazine named it equally one of the Acme 500 films, for which a new release poster was made for the motion-picture show,[26] and in 2016 Empire ranked information technology 6th on their list of the 100 best British films, with their entry stating, "it'south a masterpiece, right upwardly in that location with Evil Dead II as one of the finest horror/comedies ever made".[92]

George A. Romero first saw the film after Wright called to inquire him what he idea; he watched information technology in a cinema in Florida by himself, and called them to give his approval.[9] He was then impressed with Pegg and Wright's work that he asked them to appear in cameo roles in the 2005 motion-picture show State of the Dead. Pegg and Wright insisted on being zombies rather than the slightly more noticeable roles that were originally offered.[52] [93] Pegg and Frost reprised their roles (in animation) in the Phineas and Ferb Halloween special "Dark of the Living Pharmacists" in Oct 2014.[94] Quentin Tarantino described the motion-picture show as 1 of his acme twenty favourite films made since 1992,[95] and horror novelist Stephen King described it as "a 'x' on the fun meter and destined to be a cult classic".[96] Information technology has a cult following, generally among "millennial comedy and horror lovers akin".[37]

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External links [edit]

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Source: https://en.wikipedia.org/wiki/Shaun_of_the_Dead

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